Ashug-Karibi - Ashik Kerib - Ашик-Кериб - DVDRip - 1988

Цитата:
В ролях: Юрий Мгоян, Софико Чиаурели (...Мать), Константин Степанков, Давид Абашидзе, Рамаз Чхиквадзе

Награды и примечания:
Приз "Феликс-88" художникам фильма Г.Алекси-Месхишвили, Н.Сандукели, Ш.Гоголашвили. Приз "Ника-89" лучшему игровому фильму, режиссерам, оператору, художнику по костюмам (С.Параджанову).
Партию Ашик-Кериба исполняет Алим Гасимов.

О фильме:

По мотивам одноименной поэмы М.Ю.Лермонтова.
'В основе фильма лежит древний (Turklib:древнетюркский) фольклорный мотив, который давно интерпретирован сказаниями об Одиссее, в новейшей литературе, использовался в 'Декамероне' Боккаччо, в рассказах Мопассана, Прево, Феваля. Не оценивая здесь самих исходных постулатов постмодернизма, - они, конечно, требуют специального исследования, - отметим, что снятие критериев качества, по всей вероятности, соответствует творческому темпераменту Параджанова, не только в его фильмах, но и в жизни. Тяготение к эксцентрическим эффектам, к коллекционированию древностей, к неортодоксальной манере поведения цементирует и делает чрезвычайно органичной изначально неорганичную структуру каждой из его картин, а 'Ашик-Кериба' в особенности. Экран как бы уподобляется восточному рынку, где вперемешку можно найти что угодно, от антиквариата до лубочной самодельной картинки, причем качественное различие между ними как бы снимается самим существом базара.' - К.Разлогов ('Мнения', N3-89) '...в фильме персонажи почти не приближаются к камере, любят оставаться на втором плане, словно для того, чтобы манить зрителя в свой чуть удаленный мир. Их призыв можно расценить как почесть, ибо в мире, куда зовут нас персонажи, сверкают и переливаются краски; он благодатен и радостен, невзгодам и горестям не удается тут прижиться, они выталкиваются из этого мира, будто непрошенные гости...' - В.Михалкович ('Мнения', N2-89).

Цитата:
Awards: 6 wins & 1 nomination

Cast: Yuri Mgoyan, Sofiko Chiaureli, Ramaz Chkhikvadze, Konstantin Stepankov, Veronique Matonidze, Baia Dvalishvili, David Dovlatian, Levan Natroshvili, Slava Stepanian, Nodar Dugladze, Dodo Abashidze.

From Sergei Paradjanov (The Legend of Suram Fortress, Shadows of Forgotten Ancestors), one of the most acclaimed and experimental directors
of the Soviet cinema, comes Ashik Kerib, a 19th century romantic tale evocatively brought to life. Lermontov s famous fable tells of Ashik Kerib, the wandering minstrel who is trying to earn enough money to marry the girl he loves. But when the
father of his beloved spurns him, Ashik is forced to roam the land for 1,001 nights. In recounting the story, Paradjanov boldly dispenses with conventional storytelling devices. Ashik Kerib is a series of glorious tableaux, exquisitely composed, choreographed and photographed. In addition,
Paradjanov combines intertitles with images of early Russian artwork, which are then overlaid with a haunting blend of traditional and contemporary musical forms. Ashik Kerib was Paradjanov s last completed feature film, and it was dedicated to Andrei Tarkovsky, the director s close personal friend, who had died just two years earlier. Stylistically stunning, it is a unique and
unforgettable cinematic experience.

Цитата:
Sergei Parajanov (Armenian: Սարգիս Հովսեփի Փարաջանյան, Sargis Hovsepi Parajanyan; Georgian: სერგეი (სერგო) ფარაჯანოვი; Russian: Сергей Иосифович Параджанов, Sergej Iosifovich Paradzhanov; also spelled Paradzhanov or Paradjanov) (January 9, 1924 — July 20, 1990) was a Soviet Georgian film director and artist, widely regarded as one of the 20th century's greatest masters of cinema[1].

He invented his own unparalleled cinematic style. His oeuvre is extremely poetic, artistic and visionary and is acclaimed worldwide. But as it was highly unfit with principal rules of socialist realism (the only sanctioned art style in USSR) and his controversial stance and escapades to boot, cinema authorities regularly denied him permission to make films.

Although he started professional film-making in 1954, he later disowned all of his pre-1964 works as "garbage". After directing Shadows of Forgotten Ancestors (renamed Wild Horses of Fire for most foreign distributions) Parajanov had become something of an international celebrity and simultaneously a target of attacks from the system. Nearly all of his film projects and plans from 1965-1973 got banned, scrapped or closed by film administration, both local (in Kiev and Yerevan) and federal (infamous Goskino), almost without discussion until he was finally arrested in late 1973 on trumped-up charges of rape, homosexuality and bribery. He was imprisoned until 1977, despite plethora of pleas for pardon from various esteemed artists.

Even after release (he was yet to be arrested for the third and last time in 1982) he was persona non grata in Soviet cinema. It was not until mid-80's, when political climate started to supple, that he could resume directing. Still, it required help of influential Georgian actor David (Dodo) Abashidze and other friends to have his last feature films green-lighted.

His health seriously weakened by 4 years in labor camps and 9 months in Tbilisi prison, Parajanov died of lung cancer in 1990, at the time when, after almost 20 years of suppression, his films were finally again allowed to be featured in foreign film festivals.

Language:Georgian-Azerbayjan-English

Mirror - Language:Georgian-Azerbayjan-Russian

Subtitles

Language:Azarbayjan

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