The Rubaiyat of Omar Khayyam

Цитата:
Since the publication of Edward Fitzgerald's classic translation of the Rubaiyat in 1851 - or rather since its general popularity several years later - poets minor and major have been rendering the sincerest form of flattery to the genius of the Irishman who brought Persia into the best regulated families. Unfortunately there was only one Omar and there were scores of imitators who, in order to make the Astronomer go round, were obliged to draw him out to the thinness of Balzac's Magic Skin. While all this was going on, the present Editor was forced to conclude that the burning literary need was not for more translators, but for more Omars to translate; and what was his surprise to note that the work of a later and superior Omar Khayyam was lying undiscovered in the wilds of Borneo! Here, indeed, was a sensation in the world of letters - a revelation as thrilling as the disinterment of Ossian's forgotten songs - the discovery of an unsubmerged Atlantis. While some stout Cortez more worthy than the Editor might have stood on this new Darien and gazed over the sleeping demesne of Omar Khayyam, Jr., he had, so to speak, the advantage of being first on the ground, and to him fell the duty, nolens volens, of lifting the rare philosophy out of the Erebus that had so long cloaked it in obscurity.

It is still a matter of surprise to the Editor that the discovery of these Rubaiyat should have been left to this late date, when in sentiment and philosophy they have points of superiority over the quatrains of the first Omar of Naishapur. The genius of the East has, indeed, ever been slow to reveal itself in the West. It took a Crusade to bring to our knowledge anything of the schöner Geist of the Orient; and it was not until the day of Matthew Arnold that the Epic of Persia[1] was brought into the proper realm of English poesy. What wonder, then, that not until the first Omaric madness had passed away were the Rubaiyat of Omar Khayyam, Jr., lifted into the light after an infinity of sudor et labor spent in excavating under the 9,000 irregular verbs, 80 declensions, and 41 exceptions to every rule which go to make the ancient Mango-Bornese dialect in which the poem was originally written, foremost among the dead languages!

Although little is known of the life of Omar Khayyam the elder, the details of his private career are far more complete than those of his son, Omar Khayyam, Jr. In fact, many historians have been so careless as to have entirely omitted mention of the existence of such a person as the younger Omar. Comparative records of the two languages, however, show plainly how the mantle was handed from the Father to the Son, and how it became the commendable duty of the second generation to correct and improve upon the first...

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